HOME 2022-03-11T05:43:32+00:00

Upcoming

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In the 2021/22 season, Ms. Redpath has her role and house debut as Sophie in Barrie Kosky’s production of Der Rosenkavalier at the Bayerische Staatsoper with Maestro Vladimir Jurowski, returns to Deutsche Oper Berlin to make her debut in the title role of Lucia di Lammermoor, and joins Philharmonia Baroque with Richard Egarr as Zenobia in Radamisto. She also returns to the Met covering Aucoin’s Eurydice, conducted by Yannick Nézet-Séuin with staging by Mary Zimmerman. Ms. Redpath’s concert performances include a Verbier Festival debut in Beethoven’s 9th Symphony with the chamber orchestra under the baton of Gábor Takács-Nagy; Lisette in La rondine at Tchaikovsky Concert Hall with the Moscow Philharmonic; joining the Met Orchestra Chamber Ensemble and Maestro Nézet-Séguin for new arrangements from Aucoin’s Eurydice in Weill Recital Hall at Carnegie Hall, as well as an all Schubert chamber program with Orchestra of St. Luke’s in the same space; and finally, a chamber music gala concert for the LA Phil honoring concertmaster Martin Chalifour.

SCHEDULE

“Redpath commanded the stage before even sinigng a note…

her showstopping aria was BREATHTAKING in execution,

high notes spun out EFFORTLESSLY and NEVER WITHOUT EXPRESSION…

I’ve NEVER HEARD OR SEEN Zerbinetta portrated with SO MUCH HEART”

CityBeat

About

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In the 2018/19 season, Ms. Redpath completed her final year as a Domingo-Colburn-Stein Young Artist with Los Angeles Opera. Highlights of her season included the Haydn ‘Lord Nelson’ Mass and Beethoven Mass in C major with the LA Philharmonic under maestro Gustavo Dudamel, her role debut as Gretel in Hansel and Gretel with Los Angeles Opera conducted by James Conlon, a concert of Rameau and Handel with maestro Christophe Rousset, and a reprisal of her Zerbinetta in Ariadne auf Naxos with Cincinnati Opera. In early 2020, Ms. Redpath made her debut with Deutsche Oper Berlin as Marguerite de Valois in David Alden’s Les Huguenots, under the late Alexander Vedernikov. Plans lost from the pandemic included opening LA Philharmonic and Carnegie Hall’s seasons with Peer Gynt under maestro Dudamel, Abrahamson’s Let me tell you with the Göteborgs Symfoniker, Haydn’s Armida at the Bregenz Festival, returns to the Radio Filhamonish Orkest and debuts with the New York Philharmonic, Boston Symphony Orchestra and National Symphony Orchestra.

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